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In June
1980, Patrick Chamusso, an ordinary
hard-working South African man, who
abided by the rules of Apartheid, life
would forever change. Catch a Fire tells
the story of the ANC (African National
Congress) member who willingly risked
his life to end Apartheid.
Bonnie
Henna, who’s had favorable roles, really
comes to life in this political thriller
portraying Chamusso’ wife Precious. It
is hard enough that women bare the
burdens of the world but even harder
when they succumb to personal endeavors
that spill over into the lives of the
political affluent.
But her
decisions and actions cause a reaction
that can be considered as her part in
ending Apartheid as well as the theory
of divide and conquer black women and
black men.
You’re
so young; I can’t imagine you
remembering anything about Apartheid.
How did you prepare the focus on this
character? What steps did you have to
take?
Bonnie
Henna:
I’m 27. First of all, I was so willing
because for a long time… because I was
so young when it really happened… I
don’t have any experiences for Apartheid
but a lot of South Africans have gone
through it. And so I was like Yeah, I
finally get to do my part for it. And
tell the stories of the heroes. It was a
big step in so many ways. First, I was
like… how would a woman in that time
behave? How was she like? What would her
nuances be? It was a big step in coming
to an understanding what the women
thought and how it affected them and
their behavior.
Where
did you grow up in South Africa?
Bonnie
Henna:
In Soweto.
What was
your education like growing up in
Post-Apartheid?
Bonnie
Henna:
My experiences are unique in that I went
to one of the first two private schools
that opened their doors to black kids.
That was a very fish out of water
experience.
What is
your opinion of the South African’ that
come here but don’t take advantage of
the opportunity?
Bonnie
Henna:
You know, I think, if that happened it
would come from a place of not
understanding how it could benefit
themselves. I think South African kids
view education as a privilege and they
value it very much. If anything it could
be a lot of things. It could be also
overwhelming. Sometimes you come from a
place where all you see and know about
America is stuff you’ve heard on the
radio and TV. And it’s not a complete
representation either of that country.
Did you
meet the real ‘Precious’?
Bonnie
Henna:
No.
Well how
did you go about finding out about her?
Bonnie
Henna:
They organized me. And the documentaries
shot by the BBC about the women in South
Africa. And a lot about the living
conditions. I got to meet some of the
women that lived in the area where
Precious lived and had some of the same
spirits similar to Precious.
How was
it working with Derek Luke and were you
able to educate him about your
experiences growing up?
Bonnie
Henna:
When I first met Derek. The first thing
that struck me about him was his
humility. And you know, somebody that
humble… I would be embarrassed to try to
teach him anything. Because I was like
this guy is in such a position to learn
and hear and receive… that I trust that
he would learn and receive everything
that he needed to. I didn’t want to be
just another one of those people that
were telling him and teaching him what
he needed to know. I just wanted to be a
pal and just chill and he could be all
American if he wants to without feeling
like he had to go into this whole South
African vibe.
How have
South Africans reacted to the film as
opposed to here?
Bonnie
Henna:
Well, South Africans haven’t seen the
film yet. But for me, he (Derek Luke)
worked hard at it all the time while we
were on set. For me what South Africans
will see? They will see heart. And that
for me overrides anything.
What do
you think of the South African people at
that time; the women especially?
Bonnie
Henna:
Some of them were stuck with no
resources; no development. What is
happening now is that everyone is trying
to find a way to tell their story and
people are getting creative about the
avenues they are willing to take. It’s
an exciting time to be an actress in
South Africa right now.
What do
you want women to get out of this film?
Bonnie
Henna:
To recognize in the South how strong
they are. Without the loving arms of a
woman the children of South Africa would
have been out of there.
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