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FOUR BROTHERS

JOHN SINGLETON

 
Box Office Hit summer for John Singleton. With the $9 million opening weekend for Hustle & Flow and now Four Brothers; it’s sure to be a very lucrative summer for the socially conscious director who has decided to start ‘green lighting’ his own movie’ as oppose to fighting his way through Hollywood. No remakes of Malibu’s most Wanted here. Singleton continues to successfully wed a great script with a soundtrack that clearly speaks to audience goers; leaving the words as sought of additional subtitles to assist although the music interprets each scene and feeling accurately and precisely.
 

 

By Tonisha Johnson

 

The Motown Soundtrack; why does it work so well?

JS:
It’s cool and soulful. I pick the music that would come between 1970 and 1974 during the Vietnam War. That’s kind of when the Motown sound changes. It gets darker and more introspective. The grooves where really hard hitting and sometimes psychedelic. A lot of times they have instrumentation for about a minute in a half before everybody starts singing.

That was for everybody. The Temptations, etc…

JS:
Well, yeah, that’s because the country was changing. That was the music that I figured that the guys probably heard as little kids. And that’s why I chose the record player with the vinyl. This generation doesn’t know about that.

Why’d you pick Andre for a lead role?

JS:
Andre; I’ve known him for many years and he always just would tell me that he’s interested in acting and I would blow him off like yeah right. And I started seeing him in these movies and I was like wow, you got something here. I saw Andre on The Shield. And he was real good on The Shield. And I was like ok we’ve got to do something.

You always talk about filmmakers having a social responsibility. Do you feel you have that because you help music artists that have potential into acting?

JS:
It just works out that way. People that I know that are good artists that want to do different things. It just ended up like that.

How was it working with Mark? He says that he’s not coming into a film that he doesn’t think the audience wants to see or if he doesn’t have a say in his role?

JS:
Me and Mark partied together for like 10 years and always talked about doing a movie together. So once Lorenzo called me up and he had this script and Mark was interested and then they called Mark up and say John is interested and Mark said yeah lets’ go. We really wanted to make a film together. And the cool thing about Mark is, the early films that he has done, he had such a boyish look and a boyish face; he came across as a boyish kind of man. This is the first movie where I’ve seen him as a man. The kid is gone. Mark, for many years, never gave himself over to doing the stuff guy roles. He’s played the nice guy, the vulnerable dude. He’s from this so he’d steer himself away from that. And so you see him in these other pictures and he’s nothing like that. And Now he’s just like you know what…he tells me if I’m gonna do a street movie I’m gonna do it with you and that’s why he came home and did this. I think its one of his better performances actually.

Has Tyrese grown as an actor?

JS:
Yeah. I think he’s grown as an actor but he’s still got a lot of growing to do. Personally, he’s like a big kid. Tyrese is only like 26 years old; you got to remember he’s still a baby.

Do you think a lot of it is still trying to balance both careers?

JS:
Yeah, I think so. He’s got one foot in the door…music is his passion. And acting is a different kind of passion for him. With acting he can explore different things and different characters. Cause basically he’s a goof ball. I keep him around for that at all times.

What are you doing next?

JS:
Well, I’m producing Black Snake Moan which is Craig Brewer’ follow up to Hustle & Flow. Its cast is Justin Timberlake, Christina Ricci and Sam’ playing the blues. Justin’ gone back to Tennessee. He’s really learning. He’s really picking it up.

What do you see in Justin Timberlake as an actor?

JS:
I went to talk to Justin last summer. I wanted him to hook up with Craig. Not just for Black Snake Moan but just in general. And I gave him the speel, you know, you guys are from Memphis and I know you want to act. We showed him Hustle & Flow and then we gave him the script. And he said anything you guys want to do. So, that’s how we got him. I’ve been spin galling this thing for a whole year.

Was there supposed to be more sex between Tyrese and Sofia?

JS:
There was but we had to cut it down for time.

The one thing about 70s movie’s is that there is so much casual nudity?

JS:
Oh my god yes. While I was shooting this picture I looked at Dirty Harry. And Dirty Harry was like…aw man, you couldn’t make Dirty Harry now. It is so good thought. It’s like wow; look at what they got away with. They were very free and not uptight. You can’t be uptight. I mean, I would never have been involved with the 2 films that we did over the summer if I had been uptight. The stuff that we were doing and my team I call my family...we’re changing it. It’s a fun ride.

It’s good to be John Singleton this year?

JS.
Yeah, well, it is this summer.



Do you get a kick out of acting?

JS:
A little but I don’t wanna…

 

Usually you put yourself in a cameo?

JS:
I am. I’m playing hockey. I’m the goalie.

 

Copyright © 2006 Gesica Magazine