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| Director:
Adam Goldberg |
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Screenwriter: Adrian
Butchart, Adam Goldberg |
| Producer: Chris
Hanley, David Hillary, Tim
Peternel, Josh Newman, Adam
Goldberg |
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Distributor: ThinkFilm |
| Cast: Giovanni
Ribisi, Franka Potente, Joshua
Jackson, Marisa Coughlan,
Christina Ricci, Judy Greer,
Shalom Harlow, Jared Harris,
Jason Lee, Nicky Katt, Vince
Vaughn, Elvis Costello, Eric
Siegel, John Tottenham, Dan
Bucatinsky, Randall Hoffman,
Lake Bell, Kathleen Robertson,
Rio Hackford, Pat Healy, Sam
Rubin, Anna David, Beth Riegraf,
Holly King, Haylie Duff, Josh
Jenowitz, Ari Welkom, Jandi
Swanson, Julian Fischer, Clark
McCutchen, David Alan Graf, Bob
Sattler, Alex Schaffel, Daniel
Cage Theodore, Jason Bacher,
Emma Kathan, Mitchell Cichocki,
Nate Farringer, Patricia
Belcher, Glenn Campbell, Adrian
Butchart, Roberta Hanley |
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By Tonisha Johnson |
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I love your work
is a dark, winding path through the
troubled mind of movie star Gray Evans,
played by Giovanni Ribisi. His sudden
celebrity status, along with his unhappy
Hollywood marriage with actress Mia Lang
(Franka Potente), pick away at his
sanity as he tries to promote a perfect
image of his successful career and
wonderful relationship. Fond memories of
his ex-girlfriend Shana (Christina
Ricci) haunt him, “graying” the line
between fantasy and reality. Gray
becomes unable to make that distinction,
which leads to an obsession with what he
sees as an “ideal” couple.
Director and co-writer Adam Goldberg
does an excellent job of illustrating
Gray’s fall from grace. It’s easy to see
how Gray’s failure to cope with
celebrity life takes such a dramatic
turn, without being corny or
cliché. This film uses a lot creative
and highly stylized methods to show the
myriad emotions that the characters go
through. Goldberg plays with color, or
lack thereof, to play up Gray’s
depression and obsession. Particularly
convincing are the crowded scenes in
which Gray seems to be alone as the
background noise is hushed, allowing the
viewer to be sympathetic to his
frustration. There are also several
movie references thrown in for those who
pay attention to detail.
Giovanni Ribisi plays both sides of Gray
so well that you have to wonder if he
hasn’t lived through something
similar. The whole cast does a good job
of making the characters come to life in
a way that is subtle and believable.
The real, yet surreal ending seemed like
somewhat of a cop-out at first, however
it does make sense within the context in
the film, and definitely brings home the
main themes. A clear climax followed by
a confusing last scene leaves the viewer
questioning whether or not what they’ve
just seen was real or fantasy, but
sometimes confusion is good. In this
case, it serves to further drive home
the theme of that “gray” space between
fantasy and reality, madness and
sanity.
One may be tempted to assign a
“Hollywood bashing” label to “I Love
Your Work”, however after seeing it, it
leaves you with a simpler, yet more
profound meaning. Why can’t we be happy
with what we have? We covet what we see
around us, and miss what we had when we
get it. This film is worth seeing. A
movie about movie stars that doesn’t
leave you bored or depressed about your
own simple and un-fabulous life.
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Copyright © 2005 Gesica Magazine |
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