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FILM  INTERVIEW

MIRACLE AT ST. ANNA DIRECTOR SPIKE LEE

MIRACLE AT ST. ANNA: AN INTERVIEW W/DIRECTOR SPIKE LEE
 
Starring: Derek Luke, Michael Ealy, Laz Alonso, Omar Benson Miller, John Leguizamo
 

 

By Rhonda Ridley

 
Recently, I had the opportunity to sit down with director Spike Lee to interview him for his new World War II film, “Miracle at St. Anna“, based on the James McBride novel. Fun-loving and joyful, Spike’s aged in a very distinguished, gentle and refined way. I was excited to sit with him and hear his heart, challenges and joys of working on this type of film.

What was it like filming a movie like this?

SL: Challenging. I’ve never made a movie like this. The only film I ever shot that required location shots was “Malcolm X’. We had to go to Africa and Egypt. But here we shot on location in Italy in Tuscany, Apennines—right at the linea gotica (Gothic Line), and Bahamas. 95% of the crew was Italian and did not speak English. However, that was not a barrier because the film was our connection.

How did you choose the incredible cast for the film?

SL: Initially, Wesley Snipes was my choice for the Stamps role, however, he had tax issues (snicker). But I am very pleased with the final cast choice. Everyone that was supposed to be in this film, was in this film. As well, the cast of Italian actors, I must thank the casting director in Europe. They brought together some of the most dynamic actors and actresses.

We saw some of the usual suspects in this film. How did they respond when you made the call for them to participate in this film?

SL: Although, this is a World War II film, when I called on Kerry Washington, John Turturro, John Lequizamo and Joseph Gordon Levitt to come and shoot a one-day cameo, they said yes. That’s a blessing and I thank them so much.

Had you ever heard of the Buffalo Soldiers before you signed on for this film?
 

SL: Yes, I had. As well, James McBride introduced me to some of the Buffalo Soldiers and I sat with them and let them tell me their stories. I walked away believing that they have every right to be bitter, because their sacrifices were not recognized or respected. They wanted to come back to the U.S. and not see “colored” water fountains and segregated buses. That didn’t happen.

Based on where we are in this political climate, the election is several weeks away, what are your thoughts?

SL: I never thought I’d live to see, in my lifetime, an African American man on the verge of becoming the 44th President of the United States. I am voting for Barack Obama!

How did you choose Matteo for the role of Angelo, he was magnificent?

SL: Again the casting director in Europe was great. They rounded up 5,000 boys tested them and when they were down to 100 boys, they called me and I took a 12 hour train ride from Rome, where we had our pre-production headquarters, and joined the casting call. As soon as I saw Matteo, I knew he was Angelo. Although he did not speak a word of English, he was quite intelligent and a pleasure to work with.

Tell me about the Nokia Project you’re working on?

SL: Well, Nokia approached me about doing something unique and different in collaboration with them. They wanted people to submit video footage of images of life, death and birth. Then I will direct a short film comprising YouTube-style videos created by teenagers and adults captured by their mobile phones. It should be complete in October. I’m really excited about it.

There was a line where Derek Luke’s Stamps character says, “I feel freer here, in this foreign land , then in my own home”. Was this improvisational or was it written in the script?

SL: Although we did a lot of Improvisation in this film, this line was scripted, because a lot of the soldiers really felt this way. As a matter of fact other blacks felt this way namely, James Baldwin, Josephine Baker, Miles Davis, because they had the means and ways to live outside of America.

Finally, share with me some of your favorite war movies as a kid?

SL: “The Train” with Burt Lancaster, “Is Paris Burning“, “The Dirty Dozen” with Jim Brown - which was a revelation for me. I was a 10 years old when I went to the movies to see this film


 


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